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July 11, 2016

c sharp major scale

This step shows the ascending C-sharp major scale on the piano, treble clef and bass clef. In the major scale, the 7th note is called the leading note or leading tone because the sound of the 7th note feels like it wants to resolve and finish at the octave note, when all scale notes are played in sequence. Canadian composer and pianist Frank Mills originally wrote and performed his instrumental hit "Music Box Dancer" in C-sharp major. The 1st note of the C-sharp major scale is, The 2nd note of the C-sharp major scale is, The 3rd note of the C-sharp major scale is, The 4th note of the C-sharp major scale is, The 5th note of the C-sharp major scale is, The 6th note of the C-sharp major scale is, The 7th note of the C-sharp major scale is, The 8th note of the C-sharp major scale is. It also shows the scale degree chart for all 8 notes. Of course, even though the note is named E#, when it comes to playing the note on an instrument, the real note F is really played. This major scale key is on the Circle of 5ths - C# major on circle of 5ths , which means that it is a commonly used major scale key. After doing the adjustments to all mistmatches, all letters A..G will have been used for this major scale, and no rules have been broken. In this case, the 7th note is called the subtonic. Its key signature has seven sharps. This page was last edited on 6 November 2020, at 16:52. column), whose note names will need to be adjusted in the next step. This step shows the notes when descending the C-sharp major scale, going from the highest note sound back to the starting note. These note names are shown below on the treble clef followed by the bass clef. C sharp is the enharmonic equivalent of Db. 17, in the key of C-sharp major. 3 in both books of The Well-Tempered Clavier, and Charles-Valentin Alkan chose C-sharp major for Etude Op. Only the names of the individual notes are different. The stave diagrams above shows the scale notes without a key signature, with the sharp / flat adjustments inserted before each note on the staff. Non computer generated. To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black. The audio files below play every note shown on the piano above, so middle C (marked with an orange line at the bottom) is the 2nd note heard. If the natural white note can be found in the scale note, the scale note is written in the Match? The numbered notes are those that might be used when building this note scale. In this lesson, we learn how to play the C sharp major scale. But music theory rules allow the name of any note to be sharpened or flattened, even white note names, so since a E-type of note name is needed, the real scale note F will be renamed to E#. On the bass clef, Middle C is shown with an orange ledger line above the main 5 staff lines. Note 1 is the tonic note - the starting note - C#, and note 13 is the same note name but one octave higher. To apply this rule, firstly list the white key names starting from the tonic, which are shown the White column below. 35. , but obviously the note names will be different for each scale / key combination. The adjustments done in this step do not change the pitch / sound of the note, only the name of the note. This step shows the descending C-sharp major scale on the piano, treble clef and bass clef. The match fails when trying to find a E -type of scale note, because either this type of note does not exist in this scale, or it exists but is in the wrong position number / table row for this match. The major scale uses the  W-W-H-W-W-W-H  note counting rule to identify the scale note positions. For an in-depth lesson on the major scale, please see Major Scale Patterns, Positions and Theory. This major scale key is on the Circle of 5ths - C# major on circle of 5ths, which means that it is a commonly used major scale key. Its key signature has seven sharps. Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit. For this scale, there are 2 mismatches (Shown as m in the Match? Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. The C# harmonic minor scale and C# melodic minor scale scales share the same property - they both have only one half-tone / semitone between the 7th and 8th notes. Erich Wolfgang Korngold composed his Piano Concerto for the Left Hand, Op. 35 No. The table indicates the number of sharps or flats in each scale. Scales you can use in the real world, created by a human guitarist. This step shows how to make the note name adjustments so that each note letter A to G is used once only in the scale. The Lesson steps then explain how to identify the C-sharp major scale note interval positions, choose the note names and scale degree names. This step shows the white and black note names on a piano keyboard so that the note names are familiar for later steps, and to show that the note names start repeating themselves after 12 notes. The first mismatch is used as an example. The same notes are played in the same order in each scale - they sound identical. To count up a Whole tone, count up by two physical piano keys, either white or black. This is needed to ensure that when it comes to writing the scale notes on a musical staff (eg. It does this because in this scale, the 7th note is only 1 semitone away from the 8th note - the octave note. 1st note is always tonic, 2nd is supertonic etc.) In Hungarian Rhapsody No. This step tries to assign note names to the piano keys identified in the previous step, so that they can be written on a note staff in the Solution section. However, most modern piano editions have the song written in the Key of C. Louis Vierne used C-sharp major for the "Dona nobis pacem" of the Agnus Dei of his Messe Solennelle in C-sharp minor.

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