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July 11, 2016

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Create your own unique website with customizable templates. una tarifa adicional. But Pomona knew him for one of the male divinities, albeit for one of the youngest of them, and she would not let him come to where she tended her trees. Back he came in the garb of a reaper, carrying a basket of barley-ears as an offering to her. Then Picus saw Silvanus and thinking that he was Pomona's favoured suitor, began to abuse him. Vertumnus, the young, handsome god of changing seasons and patron of fruits, decided to try to win over Pomona. To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk. And besides, he is interested in all that you are interested in--he deals in fruits, too! at least 27 years after it was first published / registered but not later than 31 December in the 28th year. Pomona, the beautiful wood nymph cared nothing for the woods but cared only for her fruit filled gardens and orchards. But Pomona would never go to her or call Flora to come to her amongst her trees. de mayor calidad de las disponibles a través de la web Consent to having an old woman like me make a match for you! To her the shady grove, the flowery field, 5: Silvanus was the first to go see her: he went in his hunter's dress, with a spear in his hand, and the game he had just killed in a bag at his side. But you, my dear, refuse to be mated, refuse to be wedded, refuse even to know one who might be a sweetheart for, you! He came to her as a shepherd, and he sought to woo her mildly, but she would neither speak to him nor let him come near where she was. [4] In addition, the pose of Pomona is closely related to the pose of the Virgin Mary in Leonardo's drawing called the Burlington House Cartoon in the National Gallery. And sometimes she would see Venus, the great lady who. Opposite was an elm entwined with a vine loaded with swelling grapes. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. Colección Carmen Thyssen-Bornemisza en depósito en el She would loosen the earth round the roots of some of her trees; she would cut away growth that was too luxurious; sometimes she would make a cut in a tree and would graft into it a twig from another tree, and she would rejoice to see one tree bearing two kinds of fruit. He has been in love with nearly all of the nymphs! "[2] Rodman Henry acknowledged in 1959 that this painting and Flora at the Hermitage Museum shared a similar style, but agreed there was too little evidence to suggest Melzi was a practicing artist, writing: "There is no proof in any form that would indicate that Melzi left a single painting. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. It depicts the Roman god of the seasons Vertumnus in the guise of an old woman attempting to woo the lady Pomona. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988). The use of images is only granted for private or educational/academic purposes. The user agrees to use the image from the website solely and exclusively for the purposes outlined in paragraph 3 and in accordance with these terms. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Vertumnus and Pomona - A Myth with a Moral She ate the fruit that was given her and she looked at Pomona as she stood there in her brown dress and with the leaves about her head. To Pomona, Flora would give all that she had to give. For commercial uses (including publications) and advertising, requests must be addressed to the Museum Photo Archive archivo.fotografico@museothyssen.org, which manages the distribution worldwide of its images and together with its rights of reproduction. VERTUMNUS AND POMONA. If the images are being used for purposes other than those described above, prior written permission from the Fundación Colección Thyssen-Bornemisza is required. comerciales, publicitarios o para cualquier uso She ate the fruit that was given her and she looked at Pomona as she stood there in her brown dress and with the leaves about her head. Picus came the very day that Silvanus came as a shepherd--Picus, the son of old Saturnus who was the god of the grain-sown field. Pomona allowed him to enter her garden and he pretended to be interested in her fruit. [4] The tall mountains in the background, especially including the arched bridge on the left, are drawn from the background of the Mona Lisa. de Imágenes del museo Even as these words were said the head-dress fell off the head of the one who spoke to Pomona. Vertumnus, the young, handsome god of changing seasons and patron of fruits, decided to try to win over Pomona. "Leonardo's Legacy: Francesco Melzi and the Leonardeschi | What's on | National Gallery, London", https://en.wikipedia.org/w/index.php?title=Vertumnus_and_Pomona_(Melzi)&oldid=989703902, Creative Commons Attribution-ShareAlike License, 18th century, collection of Duke of Saint-Simon, Paris, 1771, collection of Frederick the Great, Sanssouci (No.44 of the gallery, after the list of M. Austria) as by Leonardo da Vinci, This page was last edited on 20 November 2020, at 14:59. In such cases, the image credits must clearly indicate the word “detail”. This sculpture was executed in various media and was given various titles. Pomona came back and stood under an elm-tree near where the old woman sat. Thyssen-Bornemisza ofrece el servicio de venta y Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org. After telling Pomona stories of love, he removed his disguise and won her hand. She gave herself no adornments; all she ever wore was a brown dress; all she ever put upon her head was a wreath of leaves to keep the sun from burning her face. Request a digital file from Image Services, This image is in the public domain. At this time, we are not offering high-resolution TIFF images of detail or alternate views. [5] In discussing Morelli's attribution, Marion Wilcox argued in 1919 that Melzi is the only possible author as the only alternative would be Giampietrino. And then he came as a ploughman, big and burly, holding in his hand a goad which Pomona might think that he had just used to drive the oxen in the furrows. [5], The known provenance of the painting is as follows:[5][13]. [9] An early but uncertain attribution to Melzi came from the art historian Giovanni Morelli in 1877. She praised the tree and its associated vine, equally. [8] The painting however has a longstanding, though debated, attribution to Francesco Melzi. The tale of Vertumnus and Pomona has been called "the first exclusively Lat… "You are Vertumnus," she said. Pomona would not come near him. said, and kissed Pomona, not exactly with an old woman's kiss. She would loosen the earth round the roots of some of her trees; she would cut away growth that was too luxurious; sometimes she would make a cut in a tree and would graft into it a twig from another tree, and she would rejoice to see one tree bearing two kinds of fruit. You will be his first love, dear Pomona, and his last. This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.

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