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July 11, 2016

shure unidyne iii 545sd vs sm57

Anyway a friend and I were chatting about it and wondering if it was better than a 906 for live. With older models, some are unbalanced, some are not the best signal to noise. This shootout compares a bunch of classic mics. The main difference must be the "wide tolerance" that chessparov mentioned. I had a nice old one I decided to clean and ruined it.Not sure the newer mics are as nice? In the studio I used it for scratch vocals right from my console. As well as the great transformerless 57. The predecessor of the 56 and 57 was the 546, not the 545. gtoledo3. What can you tell me about the shure 545d ? Quirky 4 pin sockets/cables and all they're serving me quite well (although the stand adapter screw keeps loosening-argg!). My description could not have been any better. I recently purchased one of these mics for a measly thirty squid - I had quite a discussion about it and posted some audio examples here, I bought a stereo pair of 545's on eBay with the 4 pin cables they require. I bought them for live vocals but the feedback was quite an issue. Perhaps the difference between a 545 and a 57 is no more pronounced than two different 57s. The only reason I would ever say something bad about this mic is to keep the resale value down! Online user guide for Shure 545SD wired microphone. The 545l... Is a bad ass mic. Jeeez, I mean, If you got like the USA SM 57, unidyne III, old unidyne, tab funkenwerk and without transformer, you can almost track a whole drum session just with sm 57s :D That'd actually be quite interesting. A 57 is a selected 545 that's painted black. It's not handy right now but I looked it up a while ago and the mic and PA were made some time in the eighties in the USA. Whatever the case, it isn't the same. ... Jeeez, I mean, If you got like the USA SM 57, unidyne III, old unidyne, tab funkenwerk and without transformer, you can almost track a whole drum session just with sm 57s :D That'd actually be quite interesting. The only reason I would ever say something bad about this mic is to keep the resale value down! You definitely know this mic. The 545 Unidyne III was the first Shure unidirectional model where the user spoke into the end of the microphone. It is in nice shape, performs flawlessly, and sounds great. When you buy products through links across our site, we may earn an affiliate commission. I found this shootout and it actually gave legs to what my ears were hearing. I got hold of it from a thrift store, as part of some feedback prone lecturn/ portable P.A. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Hey there! This isn't true. But, put a question mark on that cause it's been a really long time...? I've noticed the new ones have the transformer potted much more heavily than the Unidyne in your pic. Not true. My 57 sounds hifi compared to this 545 to put it simply. Unidyne's high end focus is little bit higher (and there's more of it) and the high end/upper mid is less resonance-y altogether. I used it to mic my snare... needless to say, I loud, clumsy, aggressive metal drummer and took the windscreen AND the diaphram clean off. - - Shure Unidyne III 545 vs. SM57 ? gtoledo3. Wow, well given your awesome portfolio, I will take that as the definitive answer. I have 2 SM57 Unidyne III's. Shipped connected for low-impedance operation, the 545SD features a silent magnetic reed on/off switch with lock-on option. Wow, well given your awesome portfolio, I will take that as the definitive answer. 48mm-54mm Microphone Shock Mount w/ Clip For Studio Sound Record Condenser Mic. 8,372 2,276. I couldn't resist putting my two cents here since I've had a lot of experience with this particular mic. I've had a chance to do an A/B test with an Unidyne 545 and a new SM57 on a snare. Online user guide for Shure 545SD wired microphone. I'm not certain, but I *think* the PE54 was just a 545 that came pre-wired for Hi-Z operation. I got hold of it from a thrift store, as part of some feedback prone lecturn/ portable P.A. I do! The main difference one can hear is the character of high end. To give this my own test, I just scored a couple of vintage Unidyne III 545 mics for $40 out the door on eBay today, and I am eagerly awaiting them in the mail. Free shipping . 4,065 844 1. Whatever the case, it isn't the same. I have various SM57's from different eras (USA and Mexico) and my theory is much of the sonic difference in the high end (the older ones sounding "smoother" in the high end compared to the newer Made In Mexico ones) has to with the age of the mic and how much it has been used. I've had a chance to do an A/B test with an Unidyne 545 and a new SM57 on a snare. It isa omni dynamic it is a very colorful mic. While the Shure SM57 and its sibling the SM58 share the same Unidyne III capsule design, their intended applications are different, and believe it or not that ball-shaped grille on the SM58 has various impacts on the sound. Ruby Baby. Another Shure worth mentioning is the 548. Take an old one apart and look. I don't want the prices to go up but they are really some great performers. My description could not have been any better. Sounded super good for a scratch. I have various SM57's from different eras (USA and Mexico) and my theory is much of the sonic difference in the high end (the older ones sounding "smoother" in the high end compared to the newer Made In Mexico ones) has to with the age of the mic and how much it has been used. Nobody has mentioned the part of the mic that holds the cartridge. Then take a new one apart and look. The main difference one can hear is the character of high end. This would have more of effect on sound than variences in tolerance (comparing domestic to domestic, import to import).

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